I also felt like I had a vibrational thirst that a lot of the music seemed to quench but I had a feeling that the vibration needed to be stronger, although this could have been related to the dose. If the dose had been slightly higher the vibration would have felt slightly stronger; like putting enough salt on chips, you just know when it feels/tastes right. I hope my language isn't too abstract or dramatic here but it's the only way I can describe the sensation. Some of the tracks had materials attributed to them. Towards the end of the session, one track had unvarnished wood characteristics and I could also see glass marbles with rainbow colour centres; almost is if I was in an old Victorian nursery, in a large house but I felt aware of everything. I know it may sound strange but I had the same images/location sensations in each 10mg/25mg session with the same track.
Classical music sounded amazing. I love violin music normally but I could "see" the bow being pulled and feel the vibration of the strings, I could hear the tiny knocks of the bow against the wooden base. The sound system may have played a part in that as sounds were so rich. The Indian instruments on some tracks really satisfied this new vibrational thirst, they sounded and felt native to the psychedelic space. It was as if the instruments were created "there" and pulled into our domain for visitors to transition back over to the psychedelic world. I know that sounds a bit off-the-wall but it's how I felt at the time. The curation of the playlist was outstanding and I'm guessing it was based on some kind of instinctive or intuitive feelings of what was needed. There was only one piece out of the whole playlist that I didn't like at all because it started off in a very inharmonious way, like a trumpet being played by an absolute novice. I disliked the track in the 10mg session but found this track almost unbearable at 25mg. At some points there were periods of silence before a new block of music started and I didn't like the feeling of empty space. It was like all the fluidic presence of music had drained out of the room and left a stark, cold and airless space behind.
I managed to find a few of the key tracks that I felt were especially moving and memorable from both sessions (the music playlist was the same for both high-dose and low-dose sessions). These are in no particular order. I found this amazing site. I really loved the sound and bass (and "needed" it) the sounds of the Tibetan monks throat singing and chanting. It generates it to your liking. Great!
- Carlos Cipa – The Whole Truth
- Greg Haines – Azure
- Max Richter – The Young Mariner
- Ludovico Einaudi - The Journey
- Greg Haines – 183 Times
- Dead Can Dance - Devorzhum
- Ólafur Arnalds & Alice Sara Ott - Verses
- Arvo pärt - Spiegel Im Spiegel
- Arve Henriksen - Glacier Descent
- Dawn Upshaw - Baïlèro. Chants d'Auvergne
- Robert Rich & Lisa Moskow - Bija
Here are details regarding the sound system, kindly provided by the Imperial College London Psilodep team: